Timecode Converter: Frames to Timecode and Back
What it is for on a rythmo band. A rythmo band is a scrolling dubbing script synced to your video: each line sits at a precise timecode. To adjust the timings of a line, check a spotting note, or carry over a time from an editing tool, you need to move between timecode, frames and seconds without mistakes.
In dubbing and post-production, positions are not given in plain seconds but in timecode: hours, minutes, seconds and frames (HH:MM:SS:FF). The last two digits count frames, and how high they go depends on the frame rate of the project: 24 fps for film, 25 fps for European television, 30 fps for a lot of online video.
This timecode converter works both ways: it turns a timecode into a total frame count and into seconds, or turns a frame count into timecode. It is handy for checking a spotting note, preparing a loop list, comparing two versions of the same film, or turning a subtitle time in milliseconds into a frame-accurate timecode.
All math is done on whole frames, with no rounding drift. Timecode is non-drop-frame, which is what most dubbing and editing workflows use outside US broadcast. Everything happens in your browser: no file is ever sent to a server.
HH:MM:SS:FF
frames since 00:00:00:00
e.g. 90.48 or 1:30.48
That is 1 min 30.48 s at 25 frames per second.
How it works
- 1
Choose the frame rate of your project: 24, 25 or 30 fps.
- 2
Type a timecode, a frame count, or a duration in seconds.
- 3
Read the two other values instantly, ready to copy.
Need a rythmo band?
BandeRythmo transcribes the dialogue and generates a rythmo band, a scrolling dubbing script synced to your video. The Studio is there if you then want to record your own voice, solo or with others.
Create my rythmo bandFrequently asked questions
What do the last two digits of a timecode mean?
They are frames. At 25 fps they run from 00 to 24, and at 30 fps from 00 to 29.
Which frame rate should I pick?
The frame rate of the footage you are working on. Film is usually 24 fps, European television 25 fps, and phone video often 30 fps. For 23.976 footage, 24 is a close match on short clips.
Does it support drop-frame timecode?
No. The tool uses non-drop-frame timecode. Drop-frame mostly matters for US broadcast at 29.97 fps, where your editing software should do the math.
From the blog
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